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From Materials to Technique: A Complete Non-Invasive Investigation of a Group of Six Ukiyo-E Japanese Woodblock Prints of the Oriental Art Museum E. Chiossone (Genoa, Italy)

dc.contributor.authorGargano, Marco
dc.contributor.authorLongoni, Margherita
dc.contributor.authorPesce, Valeria
dc.contributor.authorPalandri, Chiara
dc.contributor.authorCanepari, Aurora
dc.contributor.authorLudwig, Nicola
dc.contributor.authorBruni, Silvia
dc.date.accessioned2024-05-30T12:41:55Z
dc.date.available2024-05-30T12:41:55Z
dc.date.created2022-12-15T14:58:23Z
dc.date.issued2022
dc.identifier.citationSensors. 2022, 22 (22), .
dc.identifier.issn1424-8220
dc.identifier.urihttps://hdl.handle.net/11250/3132017
dc.language.isoeng
dc.titleFrom Materials to Technique: A Complete Non-Invasive Investigation of a Group of Six Ukiyo-E Japanese Woodblock Prints of the Oriental Art Museum E. Chiossone (Genoa, Italy)
dc.title.alternativeFrom Materials to Technique: A Complete Non-Invasive Investigation of a Group of Six Ukiyo-E Japanese Woodblock Prints of the Oriental Art Museum E. Chiossone (Genoa, Italy)
dc.typePeer reviewed
dc.typeJournal article
dc.description.versionpublishedVersion
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1
dc.identifier.doi10.3390/s22228772
dc.identifier.cristin2093898
dc.source.journalSensors
dc.source.volume22
dc.source.issue22
dc.source.pagenumber0


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